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Summer Day Frank Weston Benson Portland Main Society of Art Frank W Benson

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American painter

Frank Weston Benson
Frank W Benson artist headshot-crop.jpg

circa 1895
Born (1862-03-24)March 24, 1862

Salem, Massachusetts
Died November 15, 1951(1951-11-15) (aged 89)

Salem, Massachusetts
Nationality American
Education Schoolhouse of the Museum of Fine Arts, Boston, Académie Julian Paris.
Known for Impressionist painting

Frank Weston Benson, frequently referred to as Frank Westward. Benson, (March 24, 1862 – November 15, 1951) was an American artist from Salem, Massachusetts known for his Realistic portraits, American Impressionist paintings, watercolors and etchings. He began his career painting portraits of distinguished families and murals for the Library of Congress. Some of his all-time known paintings (Eleanor, Museum of Fine Arts, Boston; Summer, Rhode Island Schoolhouse of Design Museum) depict his daughters outdoors at Benson's summer home, Wooster Farm, on the island of North Haven, Maine. He also produced numerous oil, wash and watercolor paintings and etchings of wildfowl and landscapes.

In 1880, Benson began to report at the Schoolhouse of the Museum of Fine Arts, Boston under both Otto Grundmann and Frederic Crowninshield.[one] In 1883 he travelled to Paris to study at the Académie Julian.[ii] He enjoyed a distinguished career as an teacher and department head at the School of the Museum of Fine Arts, Boston. He was a founding fellow member of the Ten American Painters, American Academy of Arts and Letters and The Guild of Boston Artists.

Biography [edit]

Early on years [edit]

Frank Weston Benson was built-in to George Wiggin Benson, a successful cotton fiber banker, and Elisabeth Poole,[3] [4] [5] : xiii from families who founded Salem, Massachusetts. Benson obtained his appreciation of the body of water from his grandfather, Helm Samuel Benson. When he was 12, he was given a sailboat[5] : 13 in which he explored the waterways and marshes and raced against his blood brother, John Prentiss Benson. To encourage educational activity, Benson'southward parents gave their children a weekly assart to foster independent study and hobbies, such as Salem's Hamilton Hall dance classes, Lyceum lectures[6] or equipment for photography. The brothers kept active past participating in sports, as well as fishing and hunting.[five] : 16–17

Benson's father gave him a shotgun and taught him how to hunt shore birds along the Due north Shore and wildfowl in the local fields and marshes.[5] : 13 He spent nearly all of his weekends hunting or line-fishing in the fields, marshes and streams.[five] : 16–17 To his adept friend Dan Henderson, he wrote of their childhood adventures:

"Nosotros used to spend our Saturdays chasing coot and old squaws in Salem Harbor. Then, later on working hard all day to become i bird, in we would assemble at Sam Shrum's or mine and chew the rag until nosotros were so sleepy nosotros could not concord upward our heads. What a minute business relationship each had to give of each motility of every bird seen and every shot missed. Information technology was most criminal to miss an easy shot in those days, then many excuses had to be invented. One word would have served for all in my case if it had been invented and then, I was generally 'rattled,' I think, when y'all and I went ducking."[5] : 16–17

His blood brother, John Prentiss Benson, was an architect and painter in his own right. Both sons may have been influenced by their female parent, Elisabeth Poole Benson, who Frank once remarked, had "a piddling room" on the top floor of their house where she would go to pigment and "forget virtually the rest of the world".[vii]

Artistic studies [edit]

An avid birdwatcher and wildfowl hunter, Benson wanted to be an ornithological illustrator.[v] : 8 At the historic period of 16, he painted Rail,[8] one of his first oil paintings, after a hunting trip.[5] : viii He began his studies at the School of the Museum of Fine Arts, Boston in 1880,[v] : 263 and there befriended Joseph Lindon Smith,[5] : 20 Robert Reid and Edmund Charles Tarbell.[ix] Capitalizing on what he learned, Benson held drawing classes in Salem and painted landscapes during the summertime of 1882.[5] : 263

On Benson's 21st altogether his parents gave him a souvenir of $2,000 to study in Europe.[x] He traveled to Paris and studied at the Académie Julien from 1883 to 1884 with Edmund Tarbell and Joseph Lindon Smith; Joseph Lindon Smith and Benson shared an apartment.[five] : 263 [nine] At the Academy, Benson studied under Jules-Joseph Lefebvre, William Turner Dannat, and Gustave Boulanger.[9] Gustave Boulanger, one of Benson'south teachers at Académie Julien, said to him: "Boyfriend, your career is in your easily... you will do very well."[10] Subsequently his study at Académie Julien, Benson traveled to England's Royal Academy to run into his painting "After the Storm" on exhibit.[x] He besides spent fourth dimension in Italy, Kingdom of belgium, Germany, and Brittany.[i]

  • Track, c. 1878–1879, Private collection

  • Afterwards the Storm, 1884, Private collection

Influences [edit]

Benson was "deeply influenced" past Johannes Vermeer and Diego Velázquez, masters from the seventeenth-century.[xi] Vermeer painted few works during his lifetime, about 35-36 [universally accepted] paintings, just nigh each of them has become a masterpiece. The Dutch artist from Delft was acute in his depiction of light and "poetic quality" of his subjects.[12] [xiii]

  • Influences

  • Johannes Vermeer, Girl with a Pearl Earring, ca. 1660–1670, Imperial Picture Gallery Mauritshuis, The Hague

  • Diego Velázquez, The Waterseller of Seville, 1623, Apsley House, London

Impressionism, particularly the work of Claude Monet, played a function in the development of Benson's ain American Impressionistic style. He capitalized on Monet's color palette and brush strokes and keenly depicted "reflected light", yet maintained some detail in the composition. Per Chambers, Benson represented American people with an "ideal of grace, of dignity, of elegance."[14]

  • Influences from Impressionism

  • Claude Monet, Two Girls in a Boat

  • Claude Monet, Pont d'Argenteuil

Benson's watercolors reminded some critics of Winslow Homer's works.[v] : 144

  • Influences from Winslow Homer

  • Winslow Homer, Afterwards the Tornado, watercolor, 1899, Art Found of Chicago

  • Winslow Homer, The Fog Warning, watercolor, 1885, Museum of Fine Arts, Boston

  • Winslow Homer, oil, Artists Sketching in the White Mountains, 1868, Portland Museum of Art

Works of his friends:

  • Influences from the works of his friends

  • Robert Reid,Tempting Sweets

  • Robert Reid,Her First Built-in, 1888, Brooklyn Museum

  • Edmund Tarbell, The Sisters, 1921, Gibbes Museum of Art, Charleston, S Carolina

  • Edmund Tarbell, Arrangement in Pinkish and Gray (Afternoon Tea), ca. 1894, Worcester Art Museum

  • Abbott Thayer, Landscape at Fontainbleau Woods, 1876

  • Abbott Thayer, Dublin Pond, 1894

  • Abbott Thayer, Winged Figure, 1889, Fine art Institute of Chicago

  • Willard Metcalf, My Wife and Daughter, ca. 1917

Benson was not one to experiment with emerging art forms, like Cubism, Expressionism and Fauvism. As American Impressionism extended to Postal service-Impressionism about 1913, Benson stayed with traditional genres and his American Impressionist style. As a result, "The pretty, genteel life that Benson had depicted was criticized. Benson's reaction was to turn to nature, and birds replaced the women and children as his objects of interest." said Dean Lahikainen, curator of the Peabody Essex Museum.[11]

Marriage and children [edit]

In the summer of 1884 Benson painted at Concarneau, along with Willard Metcalf and Edward Simmons.[15] While in that location, Benson became engaged to the girl of friends from Salem, Massachusetts, Ellen Perry Peirson. They married in 1888 when Benson had established himself in his career[viii] and raised four children: Eleanor (born 1890), George (born 1891), Elisabeth (born 1892) and Sylvia (born 1898).[v] : 263

  • In Summer, 1887, Private collection. Portrait of Ellen Perry Peirson.

Instructor [edit]

Benson became a Portland, Maine Schoolhouse of Art instructor in 1886.[5] : 263 [8] The leap of 1889 he began teaching antique cartoon at the School of the Museum of Fine Arts, Boston and in 1890 became head of the Painting department.[5] : 263 [10] The school's reputation grew and its enrollment tripled under the leadership of Philip Hale, Benson and Edmund C. Tarbell. Students were assessed on the ground of their skill and placed at the appropriate level (from low to loftier): Hale had a grade for beginners, Benson concentrated on how to draw figures while Tarbell covered still lifes.[five] : 24 Benson, a favored teacher called "Cher Maitre" ("Dear Master") past his students,[10] [xvi] taught until 1913.[15] Among his pupils were the portraitist Marie Danforth Page[17] and the miniaturist Bertha Coolidge.[18]

Works [edit]

Moonlight on the Waters oil 1899

William H. Gerdts, art historian, wrote of Benson'southward work in his introduction to Faith Andrews Bedford's biography of the painter: "Frank Benson painted some of the most beautiful pictures ever executed past an American creative person. They are images alive with reflections of youth and optimism, projecting a fashion of life at one time innocent and arcadian and yet resonant with a sense of certain, selective realities of gimmicky times."[xi] His work was also role of the art competitions at the 1932 Summertime Olympics and the 1936 Summertime Olympics.[19]

Realism [edit]

Benson opened his starting time studio in Salem in 1886 with his friend, Phillip Little, and began painting portraits,[5] : 263 [viii] an occupation in which Benson took seriously. He once said: "The more a painter knows about his subject area, the more he studies and understands information technology, the more the true nature of it is perceived by whoever looks at it, even though it is extremely subtle and not easy to see or understand. A painter must search securely into the aspects of a subject, must know and understand it thoroughly before he can represent it well."[x]

Benson took a Boston studio in 1888[five] : 263 with Edmund C. Tarbell.[14] He gained favorable attention in his first showing at the Club of American Artists in New York, with a slice that suggested the influence of bookish Realism.[15]

At the suggestion of his friend, Joseph Lindon Smith, Benson spent several summers in Dublin from 1889 to 1893,[5] : 26 where he painted with and was influenced by Abbott Thayer. By the early on 1890s he began using his family as subjects. Benson later on recalled it was then that he realized pattern was the most important component of painting. Consequently, works of the menses evidence a greater interest in and control of blueprint, silhouette, and abstract pattern.[fifteen]

Impressionism [edit]

It was just after joining the "Ten American Painters" in 1898 that Benson shifted from the decorative painting of murals (for the Library of Congress) and allegories, to a genuine interest in plein-air Impressionism.[15]

Continuing a blueprint that the Bensons would follow for years, the family left Boston during the summers. The family spent summers in New Castle, New Hampshire from 1893 to 1900,[5] : 263 where Benson made some of his starting time Impressionist paintings, such every bit Children in the Wood and The Sisters. [10] The popularity of The Sisters, a painting of daughters Elizabeth and Sylvia, won medals in expositions throughout the United states and in Paris, was a prelude to the successes of the adjacent xx years, when Benson became famous for a series of paintings of his family unit.[x] [15] Afterwards New Castle, the Bensons spent their summers on North Oasis Island in Penobscot Bay in Maine at Wooster Farm.[5] : 263 Benson made Impressionist works of his family unit in earnest at Wooster Farm en plein air.[20] The summer home afforded a great view of the bay and surrounding area. Near the business firm was an old orchard, large fields provided enough of space for the children to play and for a garden, and the property stood beside a wooded area.[five] : 72

Like the French Impressionists, Benson focused on capturing light. To his daughter Eleanor he said, "I follow the light, where it comes from, where it goes."[ten] A critic said of Benson's work: "Information technology is impossible to believe that mere paint, all the same conspicuously laid on, tin can glow and shimmer and sparkle as does that golden light on his canvas."[11]

Through his role as a instructor, work as an creative person and amalgamation with professional organizations for artists, Benson was a leader in American Impressionism.[xiv] In 1898 Benson and nine other artists including William Merritt Chase, Thomas Dewing, Childe Hassam, and J. Alden Weir formed "Ten American Painters". They conducted annual exhibitions of their works in New York Metropolis and oft showed in other cities, such every bit Boston, and became known as the American Impressionists.[10] The Traditional Fine Arts Organization claimed he was "one of the last groovy American Impressionists."[xi]

  • Eleanor Holding a Shell, 1902, Individual collection

Wildlife [edit]

Before Benson began his Impressionist paintings of his family, he fabricated many seascape and landscape paintings.[x] He used several mediums or techniques to capture his love of wildlife, including wash, watercolor, oil, lithography and etching.[21] Regarding his creative mastery, Peabody Essex Museum curator Dean Lahikainen commented: "Benson was a unique creative person, in that he had mastered so many different mediums and subjects. And from his early on works right until the very end, low-cal is what he was interested in."[11]

Reminiscent of Benson's original goal as an artist to go an ornithological illustrator,[five] : viii birds were the subjects of most of his washes, etchings, and watercolors.[half dozen]

Launder paintings

At the Cape Cod hunting cabin that he purchased with his brothers-in-law, Benson began working with black-and-white launder in the 1890s. The works were a commercial success, so much so that Benson was not able to go on upward with the demand.[21]

Etching

In 1914, Benson began carving equally an interesting pastime, 1 that forth with his centre for aesthetics, required him to master the complex technique for the desired effect.[5] : 112 In 1915 he first exhibited etchings of wild fowl, to pop acclaim.[five] : 116–117 Benson turned increasingly to the depiction of landscapes featuring wildlife, an outgrowth of his involvement in hunting and angling. He went on to produce a steady and assisting output of etchings. One time nearly recognized for his Impressionist paintings, he became every bit popular with his etchings. Arthur Philpott, a critic for the Boston Globe, claimed Benson was the "best known and well-nigh popular etcher in the world."[five] : 117–118 To i of his daughters he said, "The whole process from the bare plate to the finished print is full of fascinating possibilities and possible failures."[v] : 112 Benson, one of the best printmakers of the 20th century, is credited with making wildlife prints a distinct genre.[22] Benson was a member of the Society of American Graphic Artists, known as The Social club of American Etchers from 1915 - 1947, based in New York Metropolis and participated in many exhibitions.

Watercolors

Benson's watercolor paintings began on a Canadian angling trip in 1921.[21] and were often the products of bird-hunting sojourns in Cape Cod and salmon fishing expeditions in Canada. were favorably compared to similar works by .[five] : 134, 144 A critic wrote of his watercolors, "The love of the almost primitive wilderness which appears in many of (Winslow) Homer'south landscapes and the swift, sure impact with which he suggests rather than describes--these likewise narrate Benson's work. The solitude of the northern woods is very much like Homer'south." Benson made more than 500 watercolors in his lifetime.[21]


Oil paintings

Hunter in a Boat (1915) and Twilight (1930) are a few examples of Benson'due south oil paintings of wildlife settings.[21]

Benson was elected in 1919 as the beginning president of the Essex Canton Ornithological Society.[5] : 264

At the request of swain artist and conservationist Jay Norwood "Ding" Darling, Benson designed the second Federal Duck Postage stamp in 1935.[5] : 235

Gallery [edit]

  • Eleanor, 1907

  • Summer, 1909

  • Elizabeth and Ann, c.1909

  • Summertime, portrait of countess Rita de Candia, 1909

  • Margaret Gretchen Strong, 1909

  • Playing Solitaire oil 1909

  • Against the Sky, ca. 1912

  • Study for Young Girl with a Veil, 1912

  • The Grey Room, 1913

  • The Dining Room Table, 1919

  • Great White Herons 1923

Expiry and posthumous sales [edit]

He is cached in Salem's Harmony Grove Cemetery.[23]

To appointment the highest toll brought at sale for an oil painting past Benson is $iv.i 1000000, realized at Sotheby's in 1995.[24]

On Oct 19, 2006, a watercolor painting past Benson was sold at auction for $165,002. The painting was anonymously donated to an Oregon Goodwill Industries site, most likely without the possessor knowing of its value. Bidding on the shopgoodwill.com website started at $10, and increased afterwards the work was authenticated.[25]

Figure in a Room [edit]

Effigy in a Room by Frank Weston Benson, 1912, oil on sail - New Britain Museum of American Fine art

Benson's Figure in a Room, a 1912 realistic oil painting of a woman continuing backside a small table in a room, was involved in a controversy that surfaced long later the expiry of the creative person.[26] The Detroit Order evidently purchased the painting in 1914, following an exhibit held there by Benson. At some time during the adjacent several decades, the painting was replaced on the club's premises past an excellent fake or forgery, which was inserted into the painting'due south original frame. The original Benson was eventually obtained by a collector named Donald Purdy, and later on by the New Great britain Museum of American Art. The fake Benson painting remaining with the Detroit Order was finally sold for $38,500 to an attorney and his wife, at an auction held past Christie's in 1986. When the new owners began their ain research of the painting many years later on, they learned that the New Britain Museum had a strikingly similar painting from Benson in their collection; the couple's subsequent attempt to sell the painting ended when Sotheby's (who also learned of the New Britain painting) pronounced it to be a probable fake. A lawsuit was filed against Christie's, alleging negligence and/or fraud;[27] but a Delaware Court ruled in favor of the defendants,[28] opining that the auctioneer'southward fiduciary responsibleness was with the seller rather than with the purchaser. The court also noted that Christie's half dozen-yr warranty of actuality, clearly communicated, had long since expired. Today, the two "Effigy in a Room" paintings involved in this controversy hang adjacent at the New United kingdom of great britain and northern ireland (CT) Museum; visitors are invited to decide for themselves which is real and which is simulated. Benson scholar, Faith Andrews Bedford, notes that the frame is a hand-carved frame by Wilfred Thulin, one of the members of the famed Boston school of craft framemakers. She has recently donated to the museum the mandarin coat worn past the model in the painting.

Exhibitions and shows [edit]

  • 1885 - Later the Storm at the Royal Academy in London
  • 1889 - National University of Design in New York, won first prize for Orpheus
  • 1891 - Get-go individual show of Benson'south work, Chase Gallery, Boston with Edmund C. Tarbell
  • 1894 - Get-go known wildfowl exhibition, exhibited Swan Flight
  • 1897 - With 9 other men, held their ain exhibition in New York Metropolis
  • 1898 - Showtime exhibition equally the Ten American Painters in New York City
  • 1899 - Second exhibition as the Ten American Painters in New York Metropolis, including Children in the Woods, the first Impressionist painting exhibited by Benson
  • 1900 - The Sisters was presented at the Paris Exposition Universelle and won a silver medal
  • 1904 - First known exhibition of a still life by Benson
  • 1912 - First known showing of black and white wash drawings, Ten American Painters show
  • 1913 - Starting time i-man bear witness devoted to launder drawings of wildfowl, Copley Order of Art, Boston
  • 1915 - Benson's etchings were exhibited for the first fourth dimension, The Order of Boston Artists
  • 1915 - First ane-man testify devoted to etchings, George Gage Gallery
  • 1915 - Beginning one-human prove devoted to etchings in New York, Kennedy Galleries
  • 1916 - Outset one-man show devoted to etchings outside of the United States, British Museum
  • 1922 - First exhibition of his watercolors in New York, Boston and Cleveland
  • 1945 - His last ane-man exhibition of etchings at Arthur Harlow & Sons Gallery, New York
  • 1950 - His terminal exhibition at the Pennsylvania Academy of the Fine Arts[v] : 263–264

Retroactive exhibitions of his work occurred in 1921 at the Guild of Boston Artists in 1917,[v] : 241 Corcoran Gallery of Art, in 1924 at the Carnegie Institute and the Akron Art Museum, in 1936 at Guy E. Mayer Gallery in New York and in 1938 in the Museum of Fine Arts in Boston.[5] : 263–264 Such was its popularity that the exhibition broke the museum's attendance records.[five] : 241

Awards and acclaim [edit]

Emily Vanderbilt Binney oil 1894

In the 1890s he began receiving his offset awards, after the turn of the century he won awards for his Impressionist paintings, and his wildlife watercolors and etchings won awards in the 1920s and 1930s and upwards to historic period 86.[21] In 1914 the Boston Transcript chosen Benson "America'south Well-nigh Medalled Painter."[half-dozen]

Awards that Benson won include:

  • 1889 Third Hallgarten Prize, National University in New York for Orpheus [5] : 263–264 [10]
  • 1891 Thomas B. Clark Prize, National Academy[9]
  • 1896 Shaw Fund Prize, Order of American Artists[9]
  • 1900 Argent Medal, Paris Exposition Universelle for The Sisters [5] : 263–264
  • 1903 First Prize, Carnegie Prize, Pittsburgh [29]
  • 1906 Thomas R. Proctor Prize, National Academy[9]
  • Henry Ward Ranger Fund prize for Notwithstanding Life, now at the National Museum of American Art[21]
  • 1922 Frank K Logan prize for Still Life [30]
  • 1924 Frank G Logan prize[30]

He received an honorary Master of Fine Arts caste from Tufts Academy in 1930 and was selected into the National Institute of Messages and Arts in 1945.[5] : 264

Organizations [edit]

  • 1888 - Became a member of the Society of American Artists[v] : 263–264
  • 1897 - Elected associate, National Academy of Design, New York[5] : 263–264
  • 1898 - Founding member of the American Academy of Arts and Letters[v] : 263–264
  • 1898 - Resigned from the Order of American Artists[five] : 263–264
  • 1905 - Achieved full membership status, National Academy of Design, New York[5] : 263–264
  • 1914 - With six others, founded The Guild of Boston Artists[five] : 263–264 Having difficulty getting local artist'southward work exhibited exterior of Boston, Benson helped found The Guild of Boston Artists[five] : 112 and was the president for 13 years.[6] Modeled on the historic guilds of Europe, the organization held high professional standards in a supportive environment. In their Newbury gallery, annual shows of works of all members were interspersed with two-week one-person shows that highlighted the work of individual artists.[5] : 112
  • 1926 - Elected a Beau of the American Academy of Arts and Sciences[31]
  • 1937 - First documented showing as a fellow member of the Society of American Graphic Artists

Encounter also [edit]

  • List of works by Frank Weston Benson

Notes [edit]

  1. ^ a b Hook, Bailey Van (2003). "Benson, Frank Westward(eston)". Grove Fine art Online. doi:10.1093/gao/9781884446054.article.T007956.
  2. ^ frankwbenson. Biography
  3. ^ "Frank Weston Benson". The Art Constitute of Chicago . Retrieved 2021-12-11 .
  4. ^ "Frank Weston Benson". USEUM . Retrieved 2021-12-11 .
  5. ^ a b c d e f k h i j k l g due north o p q r s t u v due west x y z aa ab air conditioning advertizing ae af ag ah ai aj ak al am an ao ap aq ar every bit at Bedford (2000)
  6. ^ a b c d McAllister, Salem Tales: Frank Weston Benson.
  7. ^ Virtually John Benson.
  8. ^ a b c d Peabody Essex Museum, Interactive Presentation, Benson Timeline.
  9. ^ a b c d east f Dearinger, p. 40.
  10. ^ a b c d e f one thousand h i j k fifty Bedford, Frank Weston Benson Biography, p. one.
  11. ^ a b c d eastward f Traditional Fine Arts Organization, Lite Shines on Frank W. Benson: American Impressionist.
  12. ^ "Johannes Vermeer (1632-1675)". Mauritshuis, The Hague. Archived from the original on 2012-03-xiv. Retrieved 2011-07-05 .
  13. ^ Pioch, Nicolas (2002-10-14). "Vermeer, Jan". The WebMuseum. Retrieved 2011-07-05 .
  14. ^ a b c Chambers, Red and Gold.
  15. ^ a b c d e f Hiesinger, p. 233.
  16. ^ "Cher Maitre". Cher Maitre. 2011. Retrieved 2011-07-05 .
  17. ^ Eleanor Tufts; National Museum of Women in the Arts (U.S.); International Exhibitions Foundation (1987). American women artists, 1830-1930. International Exhibitions Foundation for the National Museum of Women in the Arts. ISBN978-0-940979-01-7.
  18. ^ Metropolitan Museum of Art (New York, Due north.Y.); Carrie Rebora Barratt; Lori Zabar (1 January 2010). American Portrait Miniatures in the Metropolitan Museum of Fine art. Metropolitan Museum of Art. ISBN978-1-58839-357-nine.
  19. ^ "Frank Weston Benson". Olympedia . Retrieved 2 August 2020.
  20. ^ Bedford, Frank Weston Benson Biography, p. 1-ii.
  21. ^ a b c d e f m Bedford Biography, p. 2.
  22. ^ Frank W. Benson, AskArt.
  23. ^ Spencer, Thomas E. (2001). Where they're buried: a directory containing more than twenty thousand names. Baltimore: Clearfield Company, printed by Genealogical Publishing. p. 326. ISBN9780806348230.
  24. ^ Forbes.com, Beguiling Gulls.
  25. ^ Painting Sold at Goodwill for $165,002
  26. ^ "Museum Ethics: Fakes on Display". New Great britain Museum of American Art (weblog). 2010.
  27. ^ Pileggi, Francis K.X. (2006). "Chancery Court Bars Merits for Faux Artwork".
  28. ^ "Johannes R. Krahmer and Betty P. Krahmer v. Christie's Incorporated". Delaware Chancery Courtroom. 2006.
  29. ^ Howland, Austin Due east. (1903). "Eighth Annual Exhibition of Paintings at Pittsburgh". Brush and Pencil. 13 (2): 137–153. doi:10.2307/25503679. JSTOR 25503679.
  30. ^ a b "FRANK WESTON BENSON (1862-1951)PAPERS, 1864-1976". Peabody Essex Museum. Retrieved 3 Feb 2015.
  31. ^ "Book of Members, 1780–2010: Chapter B" (PDF). American Academy of Arts and Sciences. p. 17. Retrieved June 15, 2011.

References [edit]

  • "About John Benson", John Prentiss Benson — American Marine Creative person Book site, Retrieved June 12, 2011.
  • Bedford, Faith Andrews (1999). "Frank Due west. Benson: American Impressionist, published by Rizzoli, 1994". Faith Andrews Bedford. Archived from the original on 2011-07-04. Retrieved 2011-07-03 .
  • Bedford, Religion Andrews (2000). The Sporting Fine art of Frank Due west. Benson. Jaffrey, NH: David R. Godine. ISBN1-56792-111-6.
  • Chambers, B. "Frank W. Benson, Carmine and Gold". Butler Plant of American Art. Archived from the original on 2011-09-27. Retrieved 2011-06-08 .
  • Dearinger, David Bernard (2004). Paintings and Sculpture in the Drove of the National Academy of Design. Manchester, VT: Hudson Hills Press. ISBN1-55595-029-9.
  • "Frank W. Benson, American Impressionist, Interactive presentation, Timeline". Peabody Essex Museum. Archived from the original on 2011-07-25. Retrieved 2011-06-08 .
  • "Frank Weston Benson (1862 - 1951)". AskART. 2000–2011. Retrieved 2011-06-16 .
  • Hiesinger, Ulrich W., Impressionism in America: The Ten American Painters, Prestel-Verlag, 1991.
  • "Lite Shines on Frank W. Benson: American Impressionist". Traditional Fine Arts System, Inc. 2011. Retrieved 2011-07-05 .
  • McAllister, Jim (2011). "Salem Tales: Frank Weston Benson". SalemWeb. Retrieved 2011-07-05 .

Further reading [edit]

  • Chisholm, Hugh, ed. (1911). "Benson, Frank Weston". Encyclopædia Britannica. Vol. 3 (11th ed.). Cambridge Academy Press.

External links [edit]

  • Frank W. Benson information site
  • Frank Weston Benson exhibition itemize
  • Artwork by Frank Weston Benson

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Source: https://en.wikipedia.org/wiki/Frank_Weston_Benson

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